Please join us for our third sponsored session at Kalamazoo.
Hoccleve in Dialogue (Session 335)
Saturday May 10, 10:00am in Valley I, Ackley 104
Organizer and Presider: Amanda Walling, Univ. of Hartford
“Al in the glose folk laboure and swete”: Langlandian Doubt in the Regiment of Princes
–Spencer Strub, Univ. of California–Berkeley
Dialogic Collapse and Royal Presence: Inventio and the “Makyng” of a King in Thomas Hoccleve’s Regiment of Princes
–Taylor Cowdery, Harvard Univ.
“By communynge is the beste assay”: Thomas Hoccleve and the Centrality of Dialogue as a Socioliterary Practice
–Travis Neel, Ohio State Univ.
“Of Mescreantz” in Lancastrian England: Hoccleve and Gower
–David Watt, Univ. of Manitoba
The International Hoccleve Society seeks to promote scholarly attention to the writings of Thomas Hoccleve, especially by providing a forum for reappraisals of and innovative approaches to his work. This year’s session seeks to re-imagine Hoccleve’s place in the literary landscape of medieval England by placing him in dialogue with authors other than Chaucer. Although no one has done more to place Hoccleve in Chaucer’s shadow than Hoccleve himself, such critics as Derek Pearsall, Ethan Knapp, and John Bowers have done much to complicate our understanding of Hoccleve’s relationship to Chaucer’s work. The premise for this session is that new understandings of both Hoccleve and his peers might be gained if we seek out other currents of influence and exchange.
In particular, by challenging the genealogical framework of influence that Hoccleve himself championed, this session proposes a more heterogeneous and promiscuous Hocclevian literary sphere. We propose that participants consider not only underacknowledged sources and influences on Hoccleve’s work, but also resonances with the work of later authors or with literary currents with which Hoccleve may not have had direct contact. Connections with authors outside the direct Chaucerian tradition are especially welcome: what would it mean to see Hoccleve as a Langlandian, rather than a Chaucerian, poet (for example, via his use of personification, his topicality, or his poetic persona)? How can we think in new ways about Hoccleve and continental traditions (including such authors as Christine de Pizan, Machaut, Deschamps, or Deguileville)? How might his work resonate with other genres, such as debate poetry, romance, or lyric? Where can we locate points of correspondence between Hoccleve and later authors, who may not acknowledge him as their own Father Hoccleve?
Contact the session organizer, Amanda Walling, with any questions or to inquire about how to meet up with International Hoccleve Society members while at Kalamazoo.